Camera Angles In Psycho

Analysis of camera work in psycho 1960 alfred hitchcock s classic thriller psycho 1960 is the film that brought light to the iconic shower scene which had emulated many emotions in accordance to horror and fear. Behind the camera on psycho except for some shots filmed on backroads in southern california the scenes of marion fleeing phoenix psycho was produced on the backlot at universal studios. The birds often uses a high angle shot that provides a god s eye view perspective that drives the ferocious intensity of avian attacks.

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Hitchcock however moves out of the comfort zone to shoot norman from an unnaturally low perspective.

Camera angles in psycho. Bird s eye view high camera angles. These sides are shown mostly through the lighting. In this scene of psycho it shows the both sides of marion and norman. Looking straight on point of view.

The psychology of camera angles 1. Through the use of camera angles film techniques dialogue and sound effects the film portrays the main characters as they are being trapped unable to escape their state of mind the guilt of their actions. A beautiful ecclesiastic and extreme example of this camera angle comes after the gas station explosion as an aerial shot watches the fire unfold as the birds swoop in from off camera as if to celebrate. Shooting from below low camera angles.

Only when they are juxtaposed can any meaning be taken. These two camera angles in and of themselves mean nothing. The shift to norman s angle suggests that norman s world is skewed off balance out of kilter. According to various sources paramount either had no space available or refused to give hitchcock any.

Working from the side.