Camera Operator Jib Arm
25 years as an accomplished camera operator and steadicam operator.
Camera operator jib arm. Will travel anywhere in the us and most of the world. However the important distinction these days is not whether you call it a crane or a jib but rather whether you operate it from the front or from the rear because even though these systems look very similar they are not really the same tool. Originally a crane was a much larger unit usually carrying a camera operator and assistant as well as the camera. This can involve working with a variety of equipment ranging from a small jib arm used to make slight camera movements up and down to a massive 90 foot long crane for shooting huge crowd or action sequences.
A jib was a smaller unit carrying just the camera. In cinematography a jib is a boom device with a camera on one end and a counterweight and camera controls on the other. Five jimmy jib triangles each can range from six feet to forty feet. Telescopic crane and remote head operation hand held camera virtual camera camera dolly and jib arm feature films commercials music videos stunts underwater drone.
A jib permits the camera to be moved vertically horizontally or a combination of the two. The jib arm is primarily used for large establishing shots that require substantial elevation and smooth motion. Crane operators are responsible for setting up and operating all cranes on film productions. Jimmy jib owner operator and faa certified drone pilot in the nashville tennessee area.
David luckenbach has over 30 years of digital film production experience.